I was excited to learn earlier this summer that Josh Groban and Jennifer Hudson would be performing at the Maverik Center in West Valley City. Because both artists possess immense talent in their own right, I knew that bringing them together would result in a dynamic evening of powerful vocals and exquisite artistry. Their July 3 performance in Utah marked the end of their 16-city tour, so being able to attend felt like a particularly special privilege. Though they represent distinct musical genres, suggesting an unlikely pairing for a concert tour, Groban and Hudson complemented each other superbly with shared passion and rich emotional expression in their music. They exceeded my already high expectations!
Jennifer Hudson took the stage first, appearing regal in a floor-length plum-colored gown. She energized the crowd early in her set with electrifying renditions of “Spotlight” and “Trouble,” the latter being an early highlight of the night. Switching tempos but keeping the same intensity, she delivered a soulful, pensive “Where You At?” and an arresting interpretation of James Brown’s “It’s a Man’s Man’s Man’s World,” a definite standout of the evening for me. My absolute favorite moment was her a cappella performance of “How Great Thou Art,” a song she noted her grandmother used to sing. Her rich, resonant delivery and crisp consonants infused this beloved hymn with undeniable conviction. Hudson brought her portion of the concert to a close with a dynamic version of “And I Am Telling You I’m Not Going” that showcased her virtuosic vocal versatility. I knew going in that Jennifer Hudson would deliver a formidable performance. Beyond its sheer power, the varied textures of her voice thoroughly captivated me—her warm lower register, crystal-clear high notes, and expressive phrasing. Her live performance was truly magnificent, elevating what I have known of her talent from broadcasts and recordings, and I was honored to experience it.
After a brief intermission and set change, Josh Groban appeared alone at the piano on a smaller platform opposite the main stage. He opened with a tender version of “As Time Goes By.” His 18-song set then encompassed a wide range of selections from his career-defining hits, Broadway and film scores, and American classics. Engaging the crowd with lighthearted conversation between songs, Groban emphasized the importance of music to help individuals find their voice—as it did for him—and to help society heal its differences. Noteworthy pieces included “The World We Knew (Over and Over)” for its powerful bass and mesmerizing swing, “Mai” for its driving rhythm, and “Alla Luce del Sole” for its funky electric guitar. Jennifer Hudson joined Groban on stage to perform their much-anticipated tour duet—”Unchained Melody.” While remaining warm and resonant, they demonstrated incredible restraint, allowing gentleness to come through their carefully paced phrases. Similarly, they kept their tone and intensity in perfect balance, communicating the song’s message of longing and enduring love. Groban concluded his regular set with his iconic hit “You Raise Me Up.” The audience honored the song’s beginning with hushed reverence; you could have heard a pin drop inside the Maverik Center. This silence was impactful in its own right. As the song progressed, Groban invited the audience to stand and sing with him. That only intensified the emotional impact. Groban’s tone was mellow, his phrasing effortless, and the strings sweeping — cultivating the perfect mood for the song. After this inspirational finale, he treated the audience to two encores—”Be Alright” and “Bridge Over Troubled Water”—both of which impressed me for their spirited syncopation. This was my second time hearing Josh Groban perform live, the first being in 2022. Recognizing that artists’ performances will differ based on a variety of personal and professional factors, and that artistic development isn’t entirely linear, Groban sang this time with even more abandon than four years prior — completely effortless and free. It was an unforgettable night.
Although Josh Groban and Jennifer Hudson’s concert at the Maverik Center was a single night event and their tour has ended, I wholeheartedly recommend hearing either of them perform live when another opportunity presents itself. They represent the best of what live music offers—authentic human talent and artistry performed at the highest level. Human authenticity and excellence matter against the tide of computer-engineered and altered art.
The Good Life 
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