Utah Opera's production of Fidelio opened at Capitol Theatre on Saturday night. I hadn't seen this opera before, so I was excited to go and experience something new. Under the direction of Tara Faircloth, who also directed Utah Opera's productions of The Little Prince in 2019 and 2024, this production updates Beethoven and Sonnleithner's work... Continue Reading →
Utah Opera's 2025-2026 season announcement immediately piqued my curiosity since the company would be opening with composer Paul Moravec and librettist Mark Campell's adaptation of Stephen King's The Shining. I admit to not having been an avid Stephen King fan over the course of my life, but I was nevertheless very intrigued to see how... Continue Reading →
Utah Opera's production of Madame Butterfly opened Saturday night at Capitol Theatre. I was excited and intrigued to attend because I hadn't seen this classic opera before. Madame Butterfly is a problematic opera for companies to stage because its premise relies on racist, sexist stereotypes and practices that reduce Japanese women and culture to "exotic"... Continue Reading →
Utah Opera's production of Pagliacci opened Saturday night at Capitol Theatre, and I was pleased to attend. I first saw Pagliacci in 2018 when I was a relatively new opera-goer and initially familiarizing myself with the genre's classics, so I looked forward to this opportunity to see it again and reacquaint myself with the music... Continue Reading →
For two years running, January 20th has found me at Capitol Theatre enjoying a Utah Opera production. Last year, I was there to see Portman and Wright's The Little Prince. This year, I went to see Humperdinck's Hansel and Gretel. I found the production to be a delightful adaptation of the fairytale --- featuring a... Continue Reading →
Utah Opera opens its 2024-2025 with Stephen Sondheim and Hugh Wheeler's Sweeney Todd. This is one of two works in the company's season line-up that I was excited to see because I hadn't seen it before. It is a work that challenges the distinction between musical and opera, having elements of both genres, so both... Continue Reading →
"It is only with the heart that one can see rightly; what is essential is invisible to the eye."Antoine de Saint-Exupéry Utah Opera is currently staging Rachel Portman and Nicholas Wright's The Little Prince, having debuted this opera in January of 2019. I was fortunate to see and fall in love with the debut production,... Continue Reading →
I saw Giacomo Puccini's La bohème for the first time in October 2017 when Utah Opera staged a production to open its 40th season, giving a nod to the company's first production of its inaugural season in 1978. I was a relatively new opera patron in 2017, slowly becoming familiar with key composers and their... Continue Reading →
Utah Opera's production of The (R)evolution of Steve Jobs opened Saturday night at Capitol Theatre. I was incredibly skeptical about seeing this production when Utah Opera announced its 2022-2023 season last spring because a contemporary subject, especially a technological one, seemed terribly mismatched with a traditional art form like opera. But then I listened to... Continue Reading →
The Good Life 
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